Tag Archives: United States

Slow Death of the American Writer? Not So Fast…

10 Apr

Here’s an interesting blog post I came across today, and had to share. It’s a rebuttal of Scott Turow’s NYT article titled, The Slow Death of the American Author.

A List of Things Scott Turow Doesn't Care About

Scott Turow woke up from his slumber recently to bark nonsense about Amazon’s acquisition of Goodreads on the Authors Guild blog, before being thoroughly eviscerated in the comments.

Undeterred, Turow sought out the considerably larger platform of the New York Times’ Op-Ed pages on Monday to decry The Slow Death of the American Writer.

On reading the latter, my first thought was: if Scott Turow didn’t spend so much time hating Amazon and pretending self-publishing didn’t exist, maybe he wouldn’t be so depressed.

It’s easy to poke fun at Scott Turow’s views. A child could de-construct his arguments, while laughing at how a practicing lawyer is unable to grasp the definition of the word “monopoly.” If you want a proper debunking of his Op-Ed, Techdirt do a good job, but I think there’s no real point attempting to engage Turow on this issue. His hatred of Amazon and fear of change is completely clouding his logic.

What bothers me about Turow’s obsession with Amazon and his opposition to change is not his blatant disregard for the facts (or the definition of words), it’s that he allows this Luddism to become all-consuming, blinding him to the issues that really matter to writers.

Even if we granted Turow his brain-dead thesis, we still have time before Amazon becomes The Great Evil and exclusively powers its website with the tears of exploited writers.

But there’s a bunch of really awful stuff happening right now that Turow ignores, and has been ignoring, since his term as Authors Guild President began.

Continue reading: A List of Things Scott Turow Doesn’t Care About.

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That’s a Big Duck

13 Feb

Come check out my friend Natalie’s new blog. It’s called Roadsight Relics and here’s the first post: That’s a Big Duck.

21 Dec

This is today’s lovely little find.
It’s now been two weeks; keep praying for the friends and family in Newtown, CT.

~JLB

Kristy K. James

“Did you hear about Connecticut?” was the first thing my daughter said to me today.

I had only just crawled out of bed and turned my computer on so no, I hadn’t heard anything. The first picture that came to mind was 9/11, because her tone of voice was similar to my sister’s when she finally got hold of me to tell me what had happened.

I felt fear begin to build as she stood there and opened her mouth to speak.

Is there some kind of movement going on that only people with twisted, sick minds are privy to? Are they looking for their fifteen minutes of fame? Just wanting to make national news? What is going on?

Twenty small children, and seven other people, gunned down by a freaking lunatic.

A movie theater massacre just months ago. Someone else trying to do the same at a mall not…

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Season of Details

28 Jan

My sore spot is details. It’s not that I don’t notice little things in my life; it’s that I immediately move on the bare bones of what I need to know to get through the day. Rarely do I stop long enough to absorb the environment around me. As far as sharing the details in my writing, I tend to forget that I am the tour guide into another world, my world of fiction.

Reading Season of Ice has inspired me. (It also scared me. It brought out this fear that I won’t do as well. Or that I will never make it as a writer.) The difference between this story and many others is the author’s attention to details. Donald Maass tells us, “Details are an automatic voice all by themselves. They might seem to limit a novel’s appeal, but in fact they bring it to life.” (Maass, 122) Genesis Sommer, the narrator in Season of Ice, is a real person. What I mean is, while I was reading, I forgot it was fiction. Even though I have very little in common with her as far as life experiences, I was able to identify with the character. It did not limit the novel’s appeal, but rather enhanced it. I read the following passage recently, and I swore Maass was talking straight to me.

“Some novelists imagine it best to have a narrator as…a universal American into whom all readers can project themselves…. Even the most ordinary people have a life that’s unique. The details that make it so are a secret source of what critics glibly refer to as voice.” (122)

The key is to choose wisely which details to include. Too many, and you’ll bog down the story. Not enough and you risk alienating your readers. Season of Ice has the perfect blend.

I think my favorite scene was when Mike Sommer’s mother was praying for her lost son at the lake’s edge. It is a powerful and beautiful scene, completed by relevant details. Do we care what people are wearing in this scene? No. We care more about the raw emotion, and the way this distraught mother interacts with the environment that has taken her son.

Mémère was breaking through the groups of people, moving in swift steps toward the shore, looking at nothing but the water in front of her. “Please my Lord!” she continued to plead.
 By the time she reached the water’s edge, she stood no more than twenty feet from us. Prayerfully, she knelt, cupped her hands together, and dipped them into the icy froth. “S’il vous plait, mon Dieu, aidez-moi a trouver mon fils. Aidez-moi a trouver mon fils. Mon fils,” she cried.
She lifted her hands out of the water. Droplets ran down her arms.
(p 67)

In this passage, we learn the setting details without detracting from the emotion. We learn the distance of which the girls are from Genesis’s grandmother, and also where Mémère is standing. We learn that Mémère is French, since it is natural for people who are upset to return to their primary language. She is praying to God, both in her words and in her actions.

Another of my favorite passages is the very first paragraph of the book. It tells us where the story takes place and when it begins. It is winter in northern Maine.

In the beginning there was snow. Torrents of tiny flakes blew in off the lake, pricked my skin before they melted on my hands and face and tongue. I live in Sebaticuk, a small town in northern Maine on the shores of Moosehead Lake. I no longer think of that massive body as just water but rather a whale of sorts, a creature that I cannot tame and whose belly I cannot see. (p 1)

In addition to the seamless integration of necessary details, there is an element of foreshadowing. From the beginning I had a feeling that Genesis’s father was gone for good. He is in the belly of the whale, and unlike Jonah in the Bible, he doesn’t resurface alive.
Genesis’s reactions to her father’s disappearance throughout the book are more great details that get the readers to identify with her. Her thoughts and actions are relatable to anyone who has dealt with grief. For example:

At that moment, I had the strangest feeling, as if it wasn’t my father out there, but someone else we were looking for – a cousin, or Perry, or one of my father’s friends, and that when I got home, Dad would be there, sitting at the kitchen table with Linda, rubbing her back like he would do and drinking a beer or coffee while we all waited for daybreak and for the snow to clear.
“Gen?” Officer Whalen asked tentatively, “You okay?”
 I didn’t answer him right away. I was standing there perplexed because I couldn’t decide whether my dad would be drinking beer or coffee on a night when someone was missing and the whole family was worried, and I wanted to know, didn’t want to move until I’d figured it out. (p 27)

An overloaded mind tends to hyper-focus on one thing in order to cope with the stress. Most people have experienced it at one time or another, I believe. This scene evokes empathy from those who have been through a traumatic event.

There are many more examples – I have sticky notes on so many pages – but these are the most memorable and favorite examples to me. These are some of the details that make this story come alive, both visually and emotionally.

Works Cited

Maass, Donald. The Fire in Fiction. Cincinnati: Writer’s Digest Books, 2009.

Les Becquets, Diane. Season of Ice. New York: Bloomsbury USA, 2008.

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